FILM STOCK 35 ALL-IN-ONE LUT PACK
FILM STOCK 35 ALL-IN-ONE is a LUT pack built to give filmmakers a refined cinematic film look in a single step. Designed for modern digital cameras shooting in LOG, each LUT combines precise technical conversion with a carefully crafted film-style grade inspired by high-end cinema color workflows.
The result is a timeless, natural image with soft highlight roll-off, rich midtones, and controlled color separation that feels closer to a finished film than a digital video grade.
This is not a trendy filter. It is a practical, story-driven color foundation designed to support narrative films, documentaries, commercials, and travel projects.
What Makes FILM STOCK 35 Different
Unlike basic creative LUTs, FILM STOCK 35 ALL-IN-ONE handles both the technical and artistic sides of color in one step.
Each LUT:
- Converts flat LOG footage into a balanced Rec.709 image
- Applies a cinematic, film-style contrast curve
- Warms highlights while keeping shadows naturally cool
- Protects and enhances skin tones
- Maintains controlled, professional saturation
- Adds subtle color separation for depth without looking overgraded
Your footage lands close to a final cinematic grade immediately, saving time while keeping a natural and flexible image.
Included LUTs
- FILM STOCK 35 | ALL-IN-ONE Panasonic V-Log
- FILM STOCK 35 | ALL-IN-ONE Sony S-Log3
- FILM STOCK 35 | ALL-IN-ONE Canon C-Log3
- FILM STOCK 35 | ALL-IN-ONE Rec.709
Each LUT is tuned for its specific camera profile to ensure accurate color response, consistent contrast, and reliable skin tones.
Designed For
- Independent feature films
- Short films and narrative projects
- Documentary filmmaking
- Travel and lifestyle cinematography
- Commercial and branded content
Compatible with all major editing and grading software that supports .cube LUTs, including DaVinci Resolve, Premiere Pro, Final Cut Pro, and After Effects.
The Look
FILM STOCK 35 delivers a modern cinematic image inspired by classic film color science:
- Soft, natural highlight roll-off
- Deep but detailed shadows
- Full, dimensional midtones
- Natural skin tones that never look plastic or overly orange
- A subtle, timeless warmth that feels cinematic without being stylized
The goal is a frame that feels like a finished movie, not a heavy preset.
Simple Workflow
- Shoot in LOG (V-Log, S-Log3, C-Log3)
- Apply the matching FILM STOCK 35 ALL-IN-ONE LUT
- Make minor exposure or saturation adjustments if needed
You are already most of the way to a polished cinematic grade.
Compatibility
Compatible with all major editing and grading software that supports .cube LUTs, including DaVinci Resolve, Premiere Pro, Final Cut Pro, and After Effects.
For footage shot in LOG (V-Log, S-Log3, C-Log3)